Coinciding with the advent of the Macintosh computer, Emigre took advantage of the new medium to design digital typefaces without requiring the equipment or manufacturing infrastructure of a traditional type foundry. Rather than adhering to the aesthetics of metal type optimized for letterpress printing, Licko began designing fonts that embraced the limitations of bitmap graphics endemic to early PCs and the idiosyncrasies of dot matrix printing.[3] Robin Kinross analyzed these fonts in a 1992 article for Eye Magazine: "The early productions were rationalised by reference to the requirements of low-memory computing and low-resolution screen display and printer output, and show considerate ingenuity in juggling with a heavily reduced formal repertoire, to make coherent sets of characters."[4] Continuing to embrace advances in technology, Licko later produced vector-based design.[5]
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